UPDATED 6-29-09


 

CRAZE

What We Learned

  What we learned from OLTL this week.

Do you ever ask yourself after an episode of One Life to Live, What did I learn today? Nope - neither do I. But since I have very limited time this week and the only topic I feel like writing about is my growing disgust for all things Starr and Cole (which I wrote about last week and feel I can just cover in my episode reviews so as to avoid overkill), I decided to just make a little list of the things we learned this week from On Life to Live:

1. It's okay to go back on sound parental policy if it makes your ex-spouse look bad.

2. Young girls who get knocked up by drug addicts without high school diplomas should marry their baby daddy before he goes to prison, so that he'll feel better about being there.

3. It's good to have a cop as a boyfriend, even if he's still married to your son's girlfriend's mother. He can get your son out of a jail term while negotiating his contract. 

4. Throughout their careers, cops and detectives take prolonged sabbaticals due to a range of issues such as anger management, boredom, being a suspected serial killer, and going into the business of owning bars that give excellent health insurance to their waitresses.  It's not as if cops are unable to come and go as they please from the force - law enforcement is a revolving door. 

5. An invalid can shower, dress, and teletransport herself from one mansion to another in less than two minutes.

6. Once a bad parent, always a bad parent.

7. If it looks retarded, sounds retarded, acts retarded, and IS retarded, it's probably just a leading romantic male character. 

8. One should always record conversations with their love interest, just in case.  

9. Stripper-whores can run ballet class for little girls in night clubs where booze is served, unsupervised and without liability insurance, with less than 24 hours during which to advertise - and a dozen little ballerinas will show up sans parents. 

10. If you want to be romantically involved with someone, it's a good idea to alienate and infuriate them as much as possible, especially in the presence of their ex-spouse.

11. Blackmailers are lovable as soon as they stop blackmailing you.

12. First comes love, then comes baby, then comes marriage, then comes high school diploma. Yikes. 

13. If you take the fake purple streak out of your hair and replace your mini skirt with a church dress, people who have known you for years will be tricked into thinking you're conservative. 

14. If you piss off your daughter really badly, just let her throw you into the pool and she will simmer down right away.

15.  Being out of work lasts for a day or two at the most...

16.... But having a job is so not important anyway. Just own a business from afar and you'll never have to work a day in your life - but you will be a millionaire regardless.

17.  Gay people in their late 20's/early 30's tend to have heterosexual one night stands (often with strippers 'cuz that's how they roll) and also spend time and money courting their opposite sex roommates.

18. Gay marriage might not be legal, but underage marriage for straight tween morons is. That makes sense. 

19. When screwing strippers, it's best not to use a condom.

20. Once your estranged child forgives you and accepts you again, it's best not to rock the boat with honesty or wisdom. It's better to just go along with whatever the child wants so that you can still be "cool" in their eyes. 

 

Monday, 6/22:  "PRISONERS OF LOVE"

-  Cole: "Will you marry me?" Todd: "That's a joke, right?" Oh God, how I wish.  This entire week revolved around Cole and Starr trying to get permission to marry and I must say, it was disgusting on every level. Starr and Cole have been turned into the biggest morons ever on a soap! Starr is a 17-year old girl with no aspirations to go to college or have a career, solely because she got knocked up and idolizes her baby daddy despite his utter indifference toward her for the past year. That is just sad. And now she is ready to marry Cole, who may be getting over his drug addiction but who is otherwise about as mature as a tadpole and has no means or ability to be a parent or husband. Note to writers: Starr and Cole aren't even DATING! They aren't even a COUPLE! Yet suddenly, they are going to get married because Cole has to go to prison? I mean, is this supposed to make sense? The only way it makes sense is if Starr is a complete dumb ass.  And as of now, that's exactly what she is. I have lost all respect for Starr, which might be the single most damning evidence against Ron Carlivati or whomever is supposedly running this creative ship. Whomever that person(s) is, they do not give a damn about the legacy or consistency of these characters, and are beginning to irreversibly damage many of Llanview's population. I thought Rex was the most damaged character during Carlivati's term, but now it's becoming clear that Starr may be headed for an even harder fall. She might as well get her shoes off because if TPTB have their way, she'll be barefoot in the kitchen for the next 50 years, blindly doing whatever men tell her to do because she "loves them." Barf.  Just... barf. 

-  The writers are fools for not stealing my idea to have Blair and Tea fake a lesbian romance to get back at Todd, and turn it slowly into a real triangle.  Because the current Blair/Tea bitchery over Todd is SO not working. It is truly demeaning for women in their forties to act like Jerry Springer guests arguing over a serial rapist and murderer who has abused them severely, when they are supposed to be successful, beautiful women. Where is the story here? I don't know about you, but I believe Blair completely when she says she does not want Todd. That's how Kassie DePaivia plays it, and it's believable. But apparently, the writers either don't believe her or just don't know what else to write. As a result of this limbo Blair is stuck in, Tea is starting to lose her personality traits and consistency. She's being molded into this bizarre and unnecessary triangle with Todd and Blair, where there simply isn't a story. You know someone is not doing their job when entire scenes with Kassie DePaivia, Florencia Lozano, and Trevor St. John are BORING.

-  Todd and Blair are the worst parents of all time for letting their ego trips with one another allow them to give permission to Cole and Starr to get married when they are both firmly against it and completely right in being so.

-  It's so terribly painful to watch Rex. He is utterly destroyed. Shame on Ron Carlivati and Frank Valentini for destroying John-Paul Lavoisier's work. If I were he, I'd leave the show. Lavoisier can make it on prime-time, I believe. Note to JPL: The show does not take you seriously and you deserve to be respected because your talent is true and unique and you deserve FAR better than this.  Leave the show.

-  Case in point: Why the hell would Rex go through the debacle at the Country Club when he would have no problem joining it if he wanted to? I mean, the man can get his hands on 20K in cash in less than 24 hours. Surely he can afford to go to a country club especially since his best friend is freaking Bo Buchanan.  Hello, discount!

-  I knew right away that Todd was faking being okay with Starr marrying Cole just to put Blair in "bad cop" position. But come on, Todd is not that stupid! He knows Blair IS stupid sometimes and could screw this up. Todd is way too shrewd to leave this up to Blair. I detested the writing on this. Again, characters we know very well are being written to suit imbecilic plot points. I thought we got rid of Dena Higley a long time ago? Is she ghost writing this? 

 

Tuesday, 6/23:  "GOOD GIRLS GO TO HEAVEN (BAD GIRLS GO EVERYWHERE)"

-  Schuyler... has... no... life.  Yawn.

-  And what fool decided a bunch of Kyle/Schuyler scenes AT THE GYM (ugh) would be a good thing to throw in?  Must I remind everyone that scenes should never EVER take place at that stupid gym? They are never, ever good.

-  As silly as the writing was, Robin Strasser and Brittany Underwood were delightful while Dorian and Langston played "good girls" to get on the good side of Markko's mother.

-  The actress playing Destiny was reading cue cards today. Sigh.

-  NOTE TO TPTB:  PLEASE DO NOT TURN LAYLA INTO A COP!!! That is the kiss of death to any female on this show. Layla is working well right now. Please do not put her in one of those awful uniforms and make her ask John McBain a bunch of stupid questions about lame cases. Just PLEASE keep her away from that police station!!!

-  Okay, the writing got better as the Dorian/Langston/Aurellia scenes progressed.  Interesting dynamic explored here between religious people and secular people. You don't see that every day on soap operas. And thankfully, the actress playing Aurellia is very good indeed and made the hokiness of the situational writing ("let's use different outfits to trick Markko's mom into liking us!") more palatable.

 

Wednesday, 6/24:  "DANCE, LITTLE SISTER, DANCE"

-  I love how Dorian instantly blamed Viki for Markko hearing about all of the terrible things she did in recent years (which were all truths).

-  And in her apology to Markko, Dorian managed to subtly turn things around and imply that all of this mess was created primarily because Markko is not as close to his parents as Dorian is to Langston.  Ha.

-  But this idea that Dorian would invite Viki and Charlie and Moe and Noelle and all of the people she's offended over to dinner in front of Mr. and Mrs. Rivera is just SO false. Dorian would simply never do this. Dorian would not deign to invite Viki over unless she intended to humiliate her or devastate her in some way. She would NEVER rely on Viki and Charlie to vouch for her or forgive her on the spot! This is absurd writing!

 

Thursday, 6/25:  "CONSENTING ADULTS"

-  The scenes where Blair rejected Starr's pleads for marital permission were so good. Blair made perfect sense. But as we know, as soon as Todd popped in, she went back completely on her solid advice and agreed to let Starr marry Cole KNOWING it is wrong, JUST TO SPITE TODD. Blair should have her custodial rights to her kids taken away. So should Todd. They are just awful, awful parents!

-  Cole says seeing a ring on his finger is what will get him through prison. Marty points out to her woefully stupid offspring that jewelry is not allowed in prison (gee, does Cole know ANYTHING about prison?). Cole responds by saying that just "knowing she's out there, waiting for him" is what will really get him through prison. Okay, so Cole wants Starr to marry him (even though she could cheat on him or divorce him while he's in jail) so that she will WAIT for two years for him to get out of prison, at which point he will be a completely different person and may not be capable of loving her in the way he thinks he does now. In other words, he wants Starr to sacrifice her entire life for him when he can't even promise that he can be a good husband or father. He can't even promise that he'll make it out alive. Yet Starr must put on her chastity belt, get barefoot in the kitchen, and wait around while Cole plays Oz with whomever chooses him to be their prison bitch? Sorry to be crass, but am I really supposed to be rooting for these twerps? And if so, couldn't the writers come up with anything better than this garbage to get me behind them? This is a couple that was working fine for a long time, and now they are worse than Rex and Stacy.

-  Gigi is only telling Rex the truth because Natalie is forcing her to. Therefore, I really have no sympathy for her. She could have told Rex the truth in the first place, but she obviously doesn't trust him and so they clearly do not belong together anyway.

-  Marty asks Cole if Starr is going to college next year. Cole's response: "I guess." Oh my God. Seriously? Cole has no idea if Starr is going to college, and he is MARRYING her within days? Every episode that goes by, the writers find new ways to make me hate Cole and Starr. Is this on purpose? If it's not, then I have to say the writing is getting to be worse than when Dena Higley was around. I am disgusted. 

-  I think Schuyler and Rex will be revealed to be brothers, possibly twins. I'd rather see Schuyler as Todd and Tea's son, but there are such striking similarities with JPL and Scott Clifton's mannerisms and acting styles that I just think that's the direction the writers will go.

-  Starr: "I know what I want." Blair: "Like you knew what you wanted when you gave up your baby for adoption?" THANK YOU, Blair. Too bad you drop your brain on the floor the second Todd walks in. 

-  I LOVED that Tea taped Todd's admission of never allowing Cole to marry Starr. But the way she used it immediately, and in front of Blair and the kids, was so lame. She should have held on to that tape or used to privately to get Todd to do her bidding. Playing it in front of Blair and Starr smacked of pathetic desperation and low self-esteem. I fear Tea is about to be utterly ruined as Rex and Starr have been.

-  Why is Stacy calling her quickie with Rex "making love?" That is so irksome.  That is called "screwing," Stacy.  You should know.

 

Friday, 6/26:  "THICKER THAN BLOOD"

-  Marty is the ONLY person being realistic about Cole going to prison. She might as well just come out and say, "My son is about to be raped a million times." Finally the show is not making prison seem like a romantic wedding getaway.

-  I've mentioned it already, but I can't express enough how Blair's going back on her VERY admirable "no" to Starr made me lose all respect for her, which isn't good because after the Higley years it took a lot of repairing before I ever had an iota of respect for Blair restored.

-  Why hasn't Gigi followed up with the original donor who was pregnant? Has she had her baby yet? 

-  How can Todd let Starr emotionally blackmail him into letting her get married?  Of all the things Starr has ever attempted to do, trying to marry Cole is by far the dumbest. Todd and Blair should be putting their feet down and locking Starr in her bedroom if need be. Er, or lock her in the nursery I should say.

-  Just being old enough to have sex does (i.e. physically mature which can be as early as 13!) NOT mean you are ready to be a parent. Just sayin'.

-  Gigi to Rex: "I knew you would never do that to me just like I would never do that to you." Uh, Gigi? Rex has a penis. I think you are forgetting the difference here. 

-  A ha!  Roxy's got the bag of blood. Zzzzzz. Well, at least Roxy is on. 

 

 

 

 

 

**MAIL REPORT**

"First off I have to say I love reading your columns every week. I agree with you on the majority of the stuff you write. I have to agree with this weeks too. Starr Manning has always been one of my favorite characters and I still enjoy watching her to a certain extent. I hate to say it but I have to agree that the writers have changed her character so much. She's not the same edgy, spunky girl who wouldn't let anyone stand in her way and did whatever she wanted. I miss that girl she used to be. Now she is just one dimensional. It's nothing against Kristen at all because she does a great job with what she is given. I also agree on the fact that what more can they do with her. The writers need to give Starr her backbone back!"  - Marissa

Thanks so much, Marissa! I completely agree. I have been thinking even more about Starr this week, and how disappointed I am with the character she is now as opposed to the character she was five years ago. Whoever decided to turn her into a saintly martyr was clearly changing the core of who Starr was supposed to be and who she was for so many years. Not only are her storyline options less than zero, but she no longer garners enough interest for a good storyline. The writers have destroyed her.

"I agree with you completely about Starr. Boo to TPTB, I'm severely disappointed...Just like you pointed out perfectly, Starr had all the makings of evolving into a conflicted, rebellious young woman who we still rooted for.  Instead, she's boring now - good ol' Starr had to grow up too fast...It makes me really uncomfortable as well to watch those scenes with Hope. I'm going to feel that even more when she actually marries Cole. I don't understand how we're supposed to feel about this storyline - this doesn't seem like Daytime TV, does it? Starr should be angry; she should be reeling from having to give her up baby.  Now Cole has to go to prison, and she has to live with her father and be exposed to her parents' dysfunctional relationship every day. Her potential is wasted, just like you said. She should be wake up realizing how much time she's been wasting over the past year whining and realize she's tired of being a victim of all her circumstances. It's so frustrating! The only way this storyline could be turned around if it hits Starr about her wasted youth, she's not waiting for Cole anymore, and she didn't realize what being a mother would truly be like..."  - Rebecca

I'm so very disappointed in Starr and the writers, as well. It's astounding that Starr had no negative reaction whatsoever about her baby being STOLEN and ENDANGERED for the first year of her life! This new, ultra-square Starr has almost none of her parents' qualities anymore. She is a flat-out goody two-shoes and that makes her two things: A pod version of herself, and boring.  Wake up, writers - you have turned the character who is supposed to carry the show for the next few decades into a complete DUD.

"Brandon Buddy is not the first actor/actress to look at the teleprompter. His scenes with the drug involvement and the detox were absolutely on the money.  I am definitely a SOLE watcher and will continue to be."  - Nancy in Ohio

I agree that Buddy has had his moments. Heck, he's made me cry before! I've heaped praises upon that young man and gotten enough crap for it to fill up several sewage systems. But I think his talent is what makes his poor performances so very painful. I've seen Buddy's strength, which clearly is emotional depth. That's his strength. But it seems to me that if his storyline is not culminating in some dramatic fashion (detoxing, finding out Marty was dead, finding out she was alive, etc.), he is not connected to the material. He stumbles over his lines and lately I've noticed he looks at the teleprompter often. That means he is not doing his homework adequately. It speaks to either laziness or a learning problem. Either way, it's not good. I am still rooting for him, but since he is sometimes really good, to me that implies he is slacking off the rest of the time. It's frustrating to watch. 

"The scenes of Jessica/Natalie talking about how BAD they feel about what they did to Marcie... MARCIE!? Natalie went to M&Ms and CONFESSED & APOLOGIZED for what she and Jared did but NOT A WORD about the pain they caused Starr, Cole and their families?"  - Sheree

Tell me about it. The writing right now is just awful and there is no continuity.  OLTL is dark all this week because they are "ahead of schedule." Well, I sure hope they are using their week off to find their brains and remember who these characters are!

"I just had a horrible thought... Are they going to have Dorian move to LA with Langston so that she and Markko can be together while he goes to UCLA?  Perhaps David is coming back just to get her and take them both back to LA? I heard Robin's outgoing hotwire message says that she has an even more public drunken outburst in front of the whole town. This is so unlike the character, to whom appearances mean everything. It's like they want to alienate the character from everyone in town and perhaps make Robin want to quit so they won't look bad when they don't renew her contract. This show cannot afford to lose Dorian, Langston and Markko. I hope that I'm wrong." - Marilyn

You better be wrong! I will not watch the show without Robin Strasser. And as much as I loved her drunk scenes last week, you are so right that it is OUT of character for Dorian to start drinking. She has never been one to drink, and she absolutely is all about appearances. Her drinking is entertaining but if it does reappear that is of concern for Dorian fans. Marilyn's email frightened me, folks.  Keep writing TPTB about Robin Strasser and Dorian Lord.   

"Thanks, so much, for addressing the issue of talent in your column this week.  Your insight is an aspect that I had never considered, although it sure didn't make me feel any better to have my suspicion reaffirmed that talent is not a valued commodity with the network, or whomever! Seems like the formula for success in soaps (and I'm generalizing, I realize) is for actors to learn their lines, don't make any waves, play nice, and acquit themselves reasonably well in the acting department. Well, makes sense, but it sure has made for a whole heap of mediocrity in soapland in recent years, from my viewer's standpoint. I guess I'll take a 60-year-old diva like Robin Stasser any day (And I use "diva" in the most complimentary way possible)! At least she doesn't bore me into an utter state of INDIFFERENCE!"  - Marcy

Television programs are businesses that answer to networks, which are corporations... and most corporations are - for lack of a better word - evil.  That is, they do not inherently care about people but rather, about making profits. There is an amazing (and shocking) documentary out there called The Corporation and if you haven't seen it, I HIGHLY recommend it. I think the way the soaps are run these days can be linked to Disney directly. Disney is not as "evil" as some corporations, to be sure - but it is very much a corporation.  Even so, acting is a business and the actors employed on the show are held to many standards other than talent. Obviously, if talent were the most important thing, Robin Strasser and Erika Slezak and Trevor St. John would be on the show every day and everything would revolve around their characters and they would constantly have the most amazing storylines available. Talent would be rewarded. And frankly, I am all for that. But we only see the finished product.  What are the work ethics of these actors? Who is charismatic and well-liked?  Who annoys the directors? Who is under the most pressure? Who knows their lines? It's easy for us to judge only based on talent because we only have to watch the show - we don't have to work with these people.

But... at the end of the day, even knowing that, I am still 100% behind my statement that soap actors are not held to a high enough standard in terms of training and skill. You have people like Strasser who is probably one of the greatest living actors in ANY genre, and then you have certain others who are at times painful to watch (they just don't have "it") getting huge storylines and appearing 4 times a week. It pays to be a team player and a good little soldier.  If someone like Strasser is difficult or outspoken, I certainly think her needs should be respected and met. She IS special and HAS deserved her due. But corporations such as Disney/ABC do not care (gosh, look what they did to Anna Lee on GH those years ago, which killed her) about aging veterans. They care about product, and they see "product" as hot, young, fresh, and sexy. Because TPTB think in corporate terms, they cannot possibly write and produce a soap opera correctly that will satisfy the fans. They are writing a corporate soap, and that really should be an oxymoron. In effect, the actors on the Disney soaps are working for Corporate America, which represents the opposite of artistic freedom and expression. Depressing, isn't it?   

That's it for this week.  Please send your OLTL thoughts, complaints, suggestions, and desperate pleas to:

Robert Iger, President of Disney (ABC Parent Company)
robert.a.iger@disney.com 

Anne Sweeney, President of ABC
anne.x.sweeney@abc.com

Brian FronsPresident of ABC Daytime
brian.frons@abc.com

Thats it for this week. Thanks for reading', and dont forget to e-mail me.

Frank Valentini (Executive Producer)
C/O One Life to Live
ABC Daytime
77 West 66th St
New York, NY 10023

Ron Carlivati (Head Writer)
C/O One Life to Live
ABC Daytime
77 West 66th St
New York, NY 10023

OLTL Direct Comment Line: 212.456.3338

ABC Comment Line: 323-671-4583

ABC Daytime Feedback Line: 212-456-7777

Thanks for reading, and don't forget to e-mail me. PLEASE include your name or an alias in case I choose to print your comments!

 

 

Until next time - don't forget to feel the Craze! 

Jeremy in Chicago

 

 

 

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