UPDATED 6-8-09


 

CRAZE

The Boat They Missed

How the writers failed to write the John/Blair story.

As all signs point to a John/Marty reunion, and as Todd and Blair inch closer to their 17th reunion after the obstacle known as Tea is ushered out of town, it strikes me that the show has royally disappointed us. No matter which couple(s) we were rooting for, be it Todd/Blair, Todd/Tea, Todd/Marty, John/Blair, John/Marty, or even John/Tea, we have been screwed out of a real storyline.  Remember when John and Blair started their sexual relationship? We have not seen that couple since well before Tea orchestrated their marriage. That early John/Blair pairing was a surprising mix of honesty, friendship, and sexual straightforwardness that delighted with its refreshingly adult depiction of relationships. Characters don't always have to "be in love" and have their hormones dictating the things they say and do just because it's a soap opera. Blair had finally gotten the maniacal Todd (at the time, a child abuser and violent sociopath) out of her system, and John was...well, he was John. And make no mistake, John is a big part of the problem. But I've gone on and on about Michael Easton's dry, careless depiction of this man as well as the writers' and producers' insistence on creating one of the dullest leading men to ever grace a soap opera. I don't have the time or energy to wonder why John McBain has been a human vortex since his debut on the show...at some point, you have to just play with the cards you've been dealt. But as far as the John/Blair/Todd/Marty/Tea mix is concerned, TPTB have reshuffled the deck before anyone had a chance to play the game.

John and Blair were a two-sided coin of promise for everyone concerned. Their scenes were working; in fact, Michael Easton was never so believably likeable or human as he was with Kassie DePaivia during that early period of John and Blair's friendship turning physical. Blair, after finally ending the cycle of self-loathing and abuse from Todd, was also FINALLY connecting with a man in a healthy way. John and Blair were two friends taking it to the next level and unsure of where they'd end up or if feelings would get involved, with their respective Marty and Todd baggage certainly making its presence known but not ruling the day. That early period of Blair/John, which seemed to last for only a month or so (culminating in the touching and well-crafted raiding of John's closet), was inexplicably abandoned and turned into a very anticlimactic marriage of convenience.

So what happened? I'll tell you what I think: The show caved to pressure to end the Todd/Marty storyline, and brought Tea back for Todd, mainly to distract the fans, so they could get Marty completely out of Todd's romantic orbit (much to the satisfaction of many fans and outspoken individuals, but much to the detriment of the dramatic structure and continuity of the show).  As soon as 2008 turned into 2009, Marty went from the infinitely more intriguing scenario of having feelings for a man she mentally despised, to trying to get that man to commit suicide so that she could feel avenged. At the same time, Blair began to get very jealous of Marty and John (remember when she followed Marty out to the docks and threatened her to stay away from her man?).  Blair's feelings were getting involved, and for a moment, it seemed like Old School Blair was going to make a comeback and fight for her man. And though that scenario would have shattered Blair's recent trend of maturity, it would have been a legitimate choice and certainly an entertaining one. 

But that is not what happened. Any hints of Old School Blair were fleeting.  While Todd reconnected with Tea and struggled over his lingering love for Marty, Blair just kind of waited around to see if John would be with her or Marty. A passive Blair is a pointless Blair, I say. She pouted every time John ran off in deference to Marty's patented "damsel in distress" gimmick. She acquiesced when John - instead of ever explaining himself or having an adult conversation with her - would literally shut Blair up by distracting her with sex.  Inexplicably, Blair and John had been turned into something very different than the promising couple they started out as. Blair was being written as an emotionally stunted, needy woman who would take second best with a slightly less abusive person than Todd, while John was being written as a thoughtless, sexist asshole who would avoid communication at any cost. John has always been a robotic misogynist, but his time with Blair seemed to be opening up a new dimension in him that just MIGHT have had me finally looking forward to his scenes. John and Blair's refreshing, potential-filled pairing had been flipped, overnight, into something abhorrent. And usually when a sharp, inexplicable turn in the writing takes place, you know TPTB have changed course.

This isn't about who ends up with whom. This is about a storyline that was going to take place and was dropped. Blair and John never got to develop their relationship - it wasn't given time to grow, despite the very positive buzz it created. Instead, since Marty was freed from Todd's orbit, it all became about John and Marty, with Blair playing second fiddle (during her sporadic appearances), sitting at home and wondering where "her man" was.  Blair and John's marriage of convenience was a sloppily-written ploy for drama that was shockingly meaningless and without consequence - especially emotionally speaking.  Blair made a few comments about how John was "hers" now, as if people were just slabs of property, and that despite knowing full-well that this was a legal gimmick orchestrated by Tea (whose true motive was probably getting Blair married to someone other than Todd), this would somehow let her "win" against Marty. But there were no emotional stakes present for Blair, especially since she then VANISHED off the show for weeks while John and Marty continued to bond. John and Blair have had NO scenes whatsoever since their marriage. Their relationship not only stopped developing;  it ceased to exist. Marty and John are now blatantly cheating with one another, and a Blair-John annulment or divorce seems like the only solution.  TPTB have succeeded in making me want the dissolution of John and Blair - but not because I give two licks about Marty and John. It's because at this point, fighting for John would make Blair insane.

Instead of what could have been a deeply layered quad, with twists and turns and complications, we got a lame marriage of convenience and nothing more.  Now we'll have John and Marty back together (certainly an improvement over NuMarty and John, which was sheer torture), which is nothing to get excited about, and Todd and Blair are clearly being set up for yet another - yawn - reunion. I can't think of anything less creative or interesting. And the funny thing is (ha ha), that if the Todd/Marty and Blair/John storylines would have been told instead of dropped, and THEN Marty and John got together and Todd and Blair reunited, it actually might have been acceptable. If we took that journey as Todd made amends for what he did to Marty and went to therapy and actually understood the impact of his actions...if Marty, likewise, dealt with her anger toward Todd but actually came to see that he genuinely believed he loved her and forgave him...if Blair fell in love with John only to realize he is not capable of returning that feeling or every truly satisfying her.. if John openly had to struggle with his commitment to Blair and the Cramers versus his yearning for Marty and responsibility to Cole...THEN I might be writing a column saying, "You know what? Maybe Todd and Blair really can reconnect now.  Maybe I'm ready for some John/Marty."  But as it stands now, we are right back where we were two years ago, with only two differences: One, Susan Haskell is now playing Marty, and Tea is back and in the mix. But however stellar Haskell is, she can't turn cheese (paper planes, anyone?) into gold. And Florencia Lozano will apparently be done taping in less than a month. 

I don't know about you, but I feel ripped off.  Somebody missed the boat.   

 

Monday, 6/1:  "HIT ME WITH YOUR BEST SHOT"

-  When Brody was facing the barrel of Ex-Hippy Poppa Brennan's gun this week, why didn't he think to say, "Excuse me, but I am a member of the United States Military and a veteran of the Iraq War?" I bet Mr. Brennan would have dropped that gun.

-  The Blair/Starr mother-daughter bonding scenes are delightful, as usual.

-  I love that the writers chose to have Cole get upset and feel his sobriety was threatened by the news of Hope being alive. I thought that was very insightful.  However, I did not feel that Brandon Buddy and Daphnee Duplaix (Rachel) really pulled off their scenes. 

-  In fact, I am experiencing a strange disconnect from NuRachel. There is something just not registering. I don't think it's the casting so much as the writing. She returned, had an argument with Nora, and is now on the sidelines.  Why bring her back at all if there is no story for her? I don't consider hiring a love interest to be a storyline. When characters return, it should be for a reason. 

-  I'm also feeling disconnected from Cole/Brandon Buddy. I feel like this actor and character put me on a roller coaster of love and indifference. He's had moments of awesome emotional connection to the material, but all too often I feel like he's just reciting his lines and waiting for the next sweeps period to remind the audience that he is an actor. At least I can understand what he's saying these days - that is a huge accomplishment after his earlier days of marble-mouthed mumbling. But there is a troubling disconnect happening. Since Buddy has shown his ability to deeply embody Cole's emotions, it's jarring when he's not emotionally connected. And lately, that's most of the time. So... I have to call out Brandon Buddy....Brandon, a couple years ago I got on your case pretty badly about your diction. Congratulations - you've really improved that (but keep working). Now it's time to step up to the next level as an actor.  You've proven yourself, but now you have to "bring it" every single day. That means infusing the day-to-day material with some of the "stuff" you've shown us when the storylines climax. You can't wait for the writing to take you there - you have to bring it to the writing. That probably means spending more time with your scripts for awhile, or perhaps working with a coach or taking a new class. Don't stop growing, because the potential is there. You have more screen time than Erika Slezak, so you need to respect that and earn that.  I believe you can do it.

-  Nash's parents are a couple of idiots.  Jeesh.

-  Still confused about Starr and Blair living at La Boulaie. 

-  Who stole Stacy's blood? I can't believe I am even asking this question.  I think Roxy has it.   

-  Stacy is probably the worst liar I have ever seen - meaning, it's SO obvious she is lying. Yet Rex believes her every word. So I have to reiterate that Rex is a freaking moron.

-  Hmmm, okay this is probably going to shock some people, but I have something positive to say about Gigi. And that is... there is something refreshing and slightly intriguing about Gigi and Schuyler together. I would be perfectly content without either of them, really. But, their scenes this week sure beat out the Rex/Stacy scenes. Scott Clifton and Farah Fath look good together too. And it is VERY strange that Scott Clifton and John-Paul Lavoisier seem to have a lot of the exact same mannerisms and line deliveries. Is it possible Schuyler will turn out to be Rex's twin brother? I wouldn't be too surprised, though I'd prefer him linked to Todd.

-  Am I the only one rolling his eyes at Michael McBain? This man dumped his wife because she wanted Starr's baby. And now he's practically shaking her and demanding she be more excited about the baby being alive. What the... ?

 

TUESDAY, 6/2:  "MOTHER KNOWS BESS"

-  How did Viki and Clint get to the Brennans' house just an hour after Brody?  Do Nash's parents seriously live this close to Llanview, yet STILL they had no idea he had died? If they were that disconnected from Nash, I doubt they would be quite this enthralled with meeting their grandchild.

-  I was also confused that Nash's parents are named Brennan. Why is Nash's last name Brennan, then? Shouldn't he have the last name of the people who actually raised him? Did I miss something here?

-  I can't believe Dorian is the ONLY person mad at Jessica! I think everyone is being way too easy on Jessica! Dorian is justified in her anger!

-  The Rachel/Cole scenes really bored me today.  I felt like Daphnee Duplaix was trying too hard, and Brandon Buddy wasn't trying hard enough.

-  If there was an Amber Alert out on Hope, wouldn't the FBI be involved in the stake out? What jurisdiction does Bo have in this situation? None, right?  Confused again.

-  Did you see Brody just rip part of the Brennans' staircase off when he went up the stairs?  LOL.

-  I just loved, loved, loved how Viki took charge of the situation with Jessica.  This is the Viki I know and love.

-  All of the Cole/Markko scenes and Starr/Langston scenes were B-O-R-I-N-G today!  Too much talking and not enough action.  "Wah, wah, wah, what should I do?"  I don't know, but DO something please, and stop whining!

-  I thought Viki was going to pretend to be Niki Smith, but Jean was an even bigger treat! Viki's plan to entice Jessica back out was genius. It's so good to see Viki thinking and acting for herself rather than dishing out advice. Heck, it's nice to see Viki out of her kitchen!

-  Isn't it gross that Nora has bedded two sets of brothers? Bo/Clint, and RJ/Hank. Maybe Daniel Coulson and Sam Rappaport are long-lost brothers, too?

-  Why would Bess believe that Jean Randolph was out? She knows Viki is integrated and she knows Viki well enough to be suspicious of this sudden Jean appearance.

-  I'm so thankful to the writers that Viki is the one bringing Jessica back, and not Brody. That would have smacked of gimmickry.

 

WEDNESDAY, 6/3:  "ARE YOU THE GATEKEEPER?"

-  Gigi and Marcie "feel bad for Jessica?" I just don't think that's an appropriate response upon hearing that Jessica switched her dead baby for Starr's live baby. More appropriate responses might include, "I thought that crazy bitch was integrated," "I guess it runs in the family," "That smells like a lawsuit to me," and "I guess that doctor shot herself in the head for nothing."

-  In fact, where the hell is the scene where Schuyler finds out the baby is alive? Helllooooooo, writers?

-  Speaking of Schuyler, did anyone else not believe him as a bully/physically aggressive type (when he was torturing Kyle)?  I don't think the writers know what they're doing with Schuyler or with Scott Clifton.

-  How AWESOME was Erika Slezak when she was playing Jean to Bess but still playing Viki to the camera (and the viewers)? Go ahead and remind everyone why you are the queen, Ms. Slezak! 

-  The Natalie/Clint scenes started off awkwardly and seeming like filler, but wound up very touching.

-  First Gigi calls Rex's land line to leave an important message, knowing Stacy lives there. Then she assumes that no one is home because her call wasn't answered. This whole storyline should be called, "Dumb asses."

-  I think Brody needs to be developed a lot more. Lately he is just "that love interest guy." 

-  YES!  I love that Bess figured out it was Viki and not Jean in the room, and I loved even more how Viki admitted she was impersonating Jean and even apologized for it. It's amazing how Viki handled this situation!

-  Stacy stole 20K from Vegas, and spent 10K on Kyle's bail. So... where is the other 10K? Sitting in a briefcase? Why isn't Stacy doing anything with it?  

-  Okay, here's where I have to admit that today's episode made me cry. I was not expecting this at all, but let me just go on the record and say:  HOLY SH%*! The scenes in which Viki brought Jessica out were some of the best scenes in years. This was definitely the best episode of the year so far. Like I said, NOT expecting that at all as I've grown weary of Jessica (I think Tess should have stayed out forever...Jessica is and always will be a boring girl).  

-  Furthermore, I have to applaud Bree Williamson and say that this was her best work EVER. Better than Nash's death, even. And that's because it was the most layered, subtle work she has ever done. When Jessica came out and relived the night of Chloe's death, I was riveted in a way that I haven't been in a long time. The writing, the direction, and especially the acting were phenomenal!  I'm not sure if she'll win this year, but Bree Williamson should absolutely be nominated NEXT year, for this episode. So should Erika Slezak.  

-  Further proof that Rex is an idiot:  Falling for Stacy's pathetic fake nightmare. Ugh.

 

 

Thursday, 6/4:  "THE WAITING IS THE HARDEST PART"

-  Why is there no physical evidence that Cris has moved in to Layla's apartment? Where is the art? And where is Cris going to paint? He is moving from a gigantic loft into a cramped apartment that he's sharing now with TWO others?  I mean, I like this idea but there is no attention to detail and that hurts any story.

-  Oh NO.  I thought Moe and Noelle were going to stay AWAY. But I'll tell you one thing: They proved in just one day being back that they are the most useless and annoying characters on the show. The way they were awkwardly inserted into the scenes at La Boulaie where Moe (what else?) cooked for everyone and Noelle kept blabbing about Marcie taking Starr's baby (proving she is pea-brained) was just so forced.

-  Scott Clifton was bugging me again today. He brings a lot of "spaz" to the table.

-  It's so unfortunate that Wes was killed off. Whose STUPID idea was that? There is so much Wes could be playing into right now: The Brody/Jessica story, the Marty/John story, and he could even be the answer to Blair's storyline hell. 

-  Prediction:  Stacy is pregnant with Fish's baby. She will finally bed Rex in the coming weeks, find out she is pregnant, and pass the baby off as Rex's. But Fish will be her baby daddy. I think this really might be where they are going with the story, because a couple small hints have been dropped (Stacy said, "God forbid" when Rex asked her if she was pregnant... meaning she may still be waiting for her period, and the Fish/Stacy fling was brought up in the Layla/Fish/Cris scenes). Please, writers - let Stacy and Oliver get married so that Stacy's official name is Stacy Fish. 

-  There is something very "Threesome" (the movie) about the Cris/Layla/Fish situation, and even thought it's SO forced and bizarre that they are all living together, I have to say there's something about it that I like. The actors are making it work. I really liked the scene where Cris dumped his popcorn all over Layla. You could tell the actors had fun with it. I am interested in this new living situation. I think Layla will use Fish to make Cris jealous. 

-  If Layla is so broke, why doesn't she get a JOB? I'm not saying it's easy to get a job these days, but Layla hasn't worked in years. Are we supposed to feel sorry for her that she ran out of her underwear money?

 

Friday, 6/5:  "RISING FROM THE TUMBLE"

-  So, Michael and Marcie are leaving in like a week, and I'm wondering how they are going to pack up and leave so quickly? Are they going to just quit their jobs and leave town?

-  Although I want Starr to raise Hope, I honestly do not believe Cole should share custody. He is NOT ready to be a father!

-  Finally, a Brody/Marty scene. Hmm. I saw something with them, actually. A spark of something...

-  Now that Jessica is back to being Jessica, she's on my nerves again. That's the problem with integration. 

-  Cole reading poetry to John = awkward. 

-  John telling Cole he will "rise from the tumble," too = cheesy.

-  Is Jessica's doctor on call for her 24-hours? No other patients to take care of?

-  Wonderful Blair/Starr scenes today. It's so telling that Blair was completely diplomatic with Starr, laying out all of her options without telling her what to do. You know at heart, Blair wants Starr to keep that baby. But she won't say that because she wants Starr to make the right choice for herself and take responsibility for that choice. I think Blair was a very good mother today.

-  Jessica's final goodbye to the baby got to me again. Darn it! Not only was Bree Williamson great, but Trevor St. John, Kassie DePaivia, Erika Slezak, and Jerry Ver Dorn were all fabulous (and the director probably played a hand in that, so props to the director). I especially appreciated how seriously Todd handled the baby hand-off and how sympathetic he was to Jessica. Trevor could have played these scenes flippantly, as he did the earlier scenes with Marcie and Michael. Flippant always works for Todd, and it could have worked for the baby handover as well. But it was a stronger choice for him to be silenced by the pain he saw in his niece's face. 

 

**MAIL REPORT**

"Your proposal for Blair and Tea to get together is brilliant! It would certainly bring a new dynamic to the Todd-Blair-Tea triangle and I think would be very believable if written properly. The scenes between Tea and Blair in the boiler room were wonderfully written and acted -- the two have very clear chemistry, and I swear at one point I thought that Tea was going to feel up Blair!"  - Tim

Tea totally felt up Blair's breast during those scenes - but it was probably accidental. I think Blair/Tea would be so, so good. 

"You are so hard on Rex when Stacy is obviously the problem. Before Stacy, Rex and Gigi were working. And there's something else that is bugging me. You have to admit that Cristian and Evangeline was a much better written love story about two lost souls who finally found true love with each other.  Now that you have warmed up to Cristian don't you think they should wake up Vangie so they can reunite?"  - Lisa

Oh, Lisa - you are really reaching for the stars, here, LOL. I have to go point by point with this one. 

1)  I am being hard on Rex because Rex is acting like a brain-damaged asshole.  JPL will always be a great actor, but that doesn't mean I have to like the character he's playing. Rex was great during the Rex/Jen and Rex/Lindsay days, and I stuck with him during the mostly nauseating Rex/Adriana relationship. At least with Adriana, Rex was being fooled by a really good liar. Rex and Gigi were okay at first - I had nothing against them. They certainly didn't rock my world, but they were fine. The 1968 storyline made a mockery of their relationship and pushed Gigi over that precarious edge of "somewhat annoying" and turned her into a card-carrying member of "really freakin' annoying." And that's mainly because she turned into an idiot who believed in time travel and chose to abandon her son in order to go find Rex in 1968. When she found him, he was impregnating a hooker - and she got over that in about twenty seconds.  That's when the Rex/Gigi "love story" officially became a joke - just when TPTB were trying way to hard to make us like them. Everything backfired. But it got worse with the Brody story arc. The way Gigi treated Brody made her utterly loathsome. That Rex fell in love with her even more made him questionable.  So things were a little precarious to begin with when Stacy came upon the scene. That Rex has fallen for Gigi's absurd break-up routine, taken the obviously trashy Stacy into his home, believed in all of her obnoxious lies, and now finds himself wanting to bed her, makes him a damn idiot. Plain and simple. And I do not like idiots. So no, I am not being hard on Rex. Rex sucks these days. 

2)  The only thing I can admit about Cris and Evangeline as a couple is that I almost choked on my own vomit during their scenes. They were so wrong together on every level. The actors were of completely different styles and caliber. The characters had absolutely nothing in common, socially, financially, age-wise, or anything else. There was zero believability that Evangeline would be interested in Cristian. He was a low life, really, especially during the boxing crap. Their scenes were forced and painful to watch - often tinged with outrageous sexism. Cris even pushed Evangeline and yet people still liked them together. They were very painful to watch for me. Cristian and Layla are a million times better together, for the following reasons: David Fumero and Tika Sumpter have real chemistry rather than the forced chemistry of Fumero and Renee Goldsberry. Cris and Layla have a lot in common and have a bond over their previous relationships with Evangeline and others. Their storyline is not pretentious and thus far has been cleverly put together, whereas Cris/Vangie was orchestrated in hopes of gaining a fan base to help the writers justify another round of John/Natalie and Todd/Blair. And perhaps most importantly, Cris and Layla are hardly ever on, whereas Cris and Vangie were on almost every day, and totally overexposed. They were trying to carry really serious story, whereas Cris and Layla are just a bit of fresh fun on the side. Had Cris and Evangeline been a side dish like Cris and Layla, maybe I could have abided them. But they were served as a main dish and for me, cheese is a topping not a main course. 

3)  I do not think Evangeline should wake up, at least not yet. I think if Cris and Layla became a VERY solid couple, and the writers were willing to finally run with Todd/Evangeline and there was sufficient conflict in place between John and Blair and all that, then Evangeline's return might prove worthwhile. But I don't think this is the right time. 

"You know Jeremy, normally I am the first one to defend anything to do with Michael Easton but recently when a fellow reader asked which characters you'd get rid of and you said, "John McBain," I have to admit I totally agree with you.... I've been a fan of Michael's for years. Possibly since I was 14 years old and now I'm 29. So, yeah, followed him quite a bit. I watched him on Total Recall, followed him when he arrived on Port Charles and I was interested to see what OLTL would have in store for my favorite actor. In my opinion they've screwed up miserably...The writers over at OLTL try to make John all dark and brooding and it doesn't work...Hell, I hate him at this point. He always seems pissed off, he's commitment phobic, and he seems to just have no real soul at all."  - Dawn

I think you've nailed it on the head, Dawn: John McBain seems utterly soulless, especially when paired with a female love interest. He looks at and talks to his women like they are pieces of Kleenex and he can't decide if he needs to blow his nose or not.

"I know this sounds crazy, but I like Stacy. Stacy's job is to be bitchy and to make people not like her. When Tina, Blair, and Jen appeared in Llanview they were not liked either. However, it is a bitch job to make you love to hate them.  Everybody is hating on Stacy, she is doing her job. I do agree, the storyline is whack... given a better storyline, Stacy could be the next Erica Kane." - Karen

The next Erica Kane? How about the next Jen Rappaport - IF we're lucky. And that's a big "if." When Jen went "bad," we understood where she was coming from and knew that she still had a soul. She was just selfish and confused and hurt. She was a bitch, yes - but we love bitches on soaps. Soaps without bitches would be like Christmas without presents! The problem isn't that Stacy's a bitch. The problem with Stacy is that she's an android. She's not human, and she certainly doesn't have a soul. In a way, she's the female John McBain (maybe they should pair them together). All of Stacy's actions hinge on her supposed love for Rex - but anyone who knows what love is can plainly see that Stacy in fact does NOT love Rex at all. She has projected some twisted self-image problem onto Rex and thinks that bedding him and making him want her will somehow fix her, while at the same time ruining her sister which also gets to the root of Stacy's mental problems. 

However, unlike other great bitch characters in the past who were nearly evil upon their debuts (Blair, Dorian, Lindsay, heck - even Lola), Stacy lacks the basic human quality of vulnerability. She cannot be hurt. Not only does she request men to punch her in the face, but she continually seeks out situations that can never make her happy. She is in effect, psychotic - and I do mean that literally. Stacy can never be redeemed, and TPTB are now scrambling to figure out a gimmick to change this. They've written her one-dimensionally, and Crystal Hunt is not the caliber of actress to do much about that. If a young Kassie DePaivia were playing Stacy, perhaps she would have made Stacy human. But that is not the case. That has not happened. Stacy is a cartoon, much like Carlo Hesser - only far less entertaining. 

I gave Stacy a chance. I liked that she hated Gigi, because I hate Gigi. But enough is enough. Stacy and Gigi are equally loathsome. But as much as I hate her, at least Gigi is flesh and blood. Stacy is plastic and nothing more.

"So what’s the story with Bree? Jessica had two children with Nash but only Chloe was mentioned in the whole Bess on the lam story. At one point didn’t she actually call Chloe Nash’s parents "only grandchild?" You think someone, somewhere would at least mention Bree."  - Kate

They finally mentioned (and showed) Bree this week, but Kate is right. For someone who is trying to protect Jessica, Bess sure has neglected Jessica's only real daughter. But there are so many inconsistencies in Jessica's D.I.D. storyline that it would be impossible to overlook had the culmination of it this week not been so damn entertaining.

That's it for this week.  Please send your OLTL thoughts, complaints, suggestions, and desperate pleas to:

Robert Iger, President of Disney (ABC Parent Company)
robert.a.iger@disney.com 

Anne Sweeney, President of ABC
anne.x.sweeney@abc.com

Brian FronsPresident of ABC Daytime
brian.frons@abc.com

Thats it for this week. Thanks for reading', and dont forget to e-mail me.

Frank Valentini (Executive Producer)
C/O One Life to Live
ABC Daytime
77 West 66th St
New York, NY 10023

Ron Carlivati (Head Writer)
C/O One Life to Live
ABC Daytime
77 West 66th St
New York, NY 10023

OLTL Direct Comment Line: 212.456.3338

ABC Comment Line: 323-671-4583

ABC Daytime Feedback Line: 212-456-7777

Thanks for reading, and don't forget to e-mail me. PLEASE include your name or an alias in case I choose to print your comments!

 

 

Until next time - don't forget to feel the Craze! 

Jeremy in Chicago

 

 

 

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